Illuminated manuscript
An illuminated manuscript is a manuscript, often of a religious nature, in which the text is supplemented by the addition of colourful ornamentation, such as decorated initials, borders and the like. Motifs used in illumination are frequently taken from heraldry or religious symbolism.
Techniques
Illumination was a complex and frequently costly process. As such, it was usually reserved for special books: an altar Bible, for example. Wealthy folk often had richly illuminated "books of hours" made, which set down prayers appropriate for various times in the liturgical day.
Text
In the making of an illuminated manuscript, the text was usually written first. Sheets of vellum, animal hides specially prepared for writing, were cut down to the appropriate size. After the general layout of the page was planned (eg initial capital, borders), the page was lightly ruled with a pointed stick, and the scribe went to work with ink-pot and either sharpened quill feather or reed pen.
The script used depended on local customs and tastes. The sturdy Roman letters of the early Dark Ages gradually gave way to cursive scripts such as Uncial and half-Uncial, especially in the British Isles, where distinctive scripts such as insular majuscule and insular minuscule developed. Stocky, richly textured Gothic script was first seen around the 13th century and was particularly popular in the later Middle Ages.
Images
When the text was complete, the illustrator set to work. Complex designs were planned out beforehand, probably on wax tablets, the sketch pad of the era. The design was then traced onto the vellum (possibly with the aid of pinpricks or other markings, as in the case of the Lindisfarne Gospels).
Paints
The mediæval artist's palette was surprisingly broad:
| Color | Source(s) |
|---|---|
| Red | Cinnabar in its natural mineral form or synthesized (also called vermillion, mercuric sulphide); "red lead" or minium (Pb3O4); insect-based colors such as cochineal and kermes; iron oxide-rich earth compounds |
| Yellow | Plant-based colors, such as saffron; yellow earth colors (ochre); orpiment (As2S3, Arsenic Sulfide) |
| Green | Plant-based compounds such as buckthorn berries; copper compounds such as verdigris and malachite |
| Blue | Ultramarine (made from the mineral lapis lazuli); azurite; smalt; plant-based substances such as woad, indigo, and folium or turnsole |
| White | Lead white (also called "flake white", basic lead carbonate (PbCO3)); chalk |
| Black | Carbon, from sources such as lamp black, charcoal, or burnt bones or ivory; sepia; iron gall |
| Gold | Gold, in leaf form (hammered extremely thin) or powdered and bound in gum arabic or egg (called "shell gold") |
| Silver | Silver, either silver leaf or powdered, as above; tin leaf |
Famous illuminated manuscripts
- The Vienna Genesis
- The Cotton Genesis
- The Ashburnham Pentateuch
- The Rossano Gospels
- The Paris Psalter
- The Book of Durrow
- The Durham Gospels
- The Echternach Gospels
- The Chad Gospels
- The Lindisfarne Gospels
- The Gospels of Queen Theodelinda
- The Codex Amiatinus
- The Lindau Gospels
- The Book of Kells
- The Moutier-Grandval Bible
- The First Bible of Charles the Bald
- The Gospels of St. Medard de Soissons
- The Utrecht Psalter
- The Ebo Gospels
- The Codex Aureus of Echternach
- The Codex Aureus of St. Emmeram
- The Pericopes of Henry II
- The Drogo Sacramentary
- The Berthold Missal
- The Vatopedi Psalter
- The Paris Psalter
- The Cotton Psalter
- The St. Albans Psalter
- The Psalter of St. Louis
- The Windmill Psalter
- The Tickhill Psalter
- The Breviary of Charles V
- The Beaupre Antiphonary
- The Petits Heures
- The Très Riches Heures du Duc de Berry
- The Hours of Catherine of Cleves
- Ranworth Antiphoner
- The Melisende Psalter
- The Ada Gospels
- The Cantigas de Santa Maria, with an illumination of pairs of musicians every 10th song
See also
- List of Hiberno-Saxon illustrated manuscripts
- Gospel Book
- English Apocalypse Manuscripts
- English Psalters
- English Bestiaries
- Glossary of Manuscript Terms by Michelle Brown (http://prodigi.bl.uk/illcat/glossary.asp)
- Resources for English Illuminated Manuscripts (http://www.medievalarthistory.co.uk/Illuminated_Manuscripts.html)
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